So, I successfully completed all 30 Days of Music. In a row, and on time. It was kind of weird.

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31 Jul | 30 days of music / art / music / personal | 2 comments

Like a lot of people, I first heard Phoenix in that party scene from Lost In Translation, the one that’s burned in my memory, the cinematic party I may as well have been a part of, so strongly do I remember it from dozens upon dozens of viewings.

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30 Jul | 30 days of music / art / music / personal | 2 comments

I was born when my mother was 21. My brother followed a couple days after her 24th birthday. She spent her entire 20s taking care of at least one child, when she was the age that’s turned out to be (apparently) the prime time of my life.

I don’t envy her that.

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This song made me cry over someone else once, someone who was lying right beside me when it happened.

That was over within a year. But it was still years before I could listen to the song without hurting.

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28 Jul | 30 days of music / art / music / personal / writing | 3 comments

<I’ve known of Pavement a lot longer than I’ve known Pavement.

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When I started hanging around musicians all the time, one would have thought that my intense interest in music as well as whatever potential I’d shown in that direction would have manifested in me, you know, learning a fucking instrument. But I didn’t.

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26 Jul | 30 days of music / art / music / personal | one comment

Here’s a hint: if you want me to pay attention to your musical project, involve Dan the Automator.

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I admit right up front that I stole this particular usage for this song. It wasn’t my idea, but my best friend’s, and all due credit goes to her.

Still, it suits me, and I’ve been joking about it (SO not joking) for as long as I’ve been considering my own mortality enough to recognize that I will, in fact, someday have a funeral.

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Wes Anderson has a way of invoking emotion through his use of music. His movies can be charitably described as whimsical, or less charitably as overly stylized, or least charitably as unbearably pretentious.

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